Laurie
A compact, elegant and comfortable design: Laurie is a tribute to the best Italian tradition reinterpreted in a contemporary key by the Calvi Brambilla studio. The fresh appeal of its image is achieved using elementary, cocooning, geometric shapes connected by a generous amount of formal minimalism. Its distinctive shape consists of a lower shell and a large, curved, backrest attached using a simple mechanism borrowed from the automobile industry. Its cosy, almost motherly volumes invite you to sit down and relax. The base offers an informal and agile support to the frame with its four, slanting legs that are more reminiscent of a chair than of an armchair, making Laurie extremely versatile and adapting it to any room, from the reception room to the bedroom. Extensive customisation options contribute to its versatility. To satisfy any taste, numerous combinations can be achieved using the many finishes available for the base and cover.
Fushimi Lounge
Italian craftsmanship fuses with Japanese style in an armchair deeply infused with references and tactile experiences. A new complement is added to the Fushimi collection. A tale of expectations derives from the tangential relationship between the joints. Leather wraps around wood, renewing an ancient collaboration: evocation of new relationships between material and colour. A reinterpretation of the Fushimi bed, the Fushimi lounge armchair builds on the dominating features of its own inspiration, starting with how the luxurious solid wood is machined and finished. Designed with simplicity, naturalness and proportion, the Fushimi Lounge chair has a wooden structure that is both concealed and exposed in symbiosis with the main leather section whose meticulous craftsmanship is utterly inviting.
Platea
Inviting, elegant and bold: Platea is a modern interpretation of the traditional bergère. Emilio Nanni harmoniously balances its parts by putting the emphasis on the height and width of the backrest while keeping its thickness moderate. The design creates a solid, formal impact through a synthesis that develops the dynamic relationship between straight and curved lines. Thanks to its padding featuring different comfort zones, the wide seat ensures excellent support. The upholstery cover stands out for its blanket stitching and is available in all the
leathers and fabrics of the Pianca collection, including manmade leathers. The base is made up of a tubular structure that follows the contours of the armchair and finishes up on eclectic brass shoes. It is definitely a distinguishing element and is available in all the metal finishes and matt lacquers of the range. Thee perfect bedroom or living room armchair, Platea is also available with an optional pouf. connotative seams around the outer edges.
Naan
Sometimes, the secret lies in simplicity. That is how it is for the renowned Indian naan bread, and so it is for the armchair of the same name, designed by Federica Biasi: a compact, embracing volume with soft, gentle contours. The structure develops from a square base with rounded corners into one single block form, projecting it into the space, with no interruption, creating an inviting volume. Slim, tapered armrests and backrest enclose a generous seat. The absence of voids gives the armchair a precise, elegant look of balanced form and geometry, both visible and invisible. The Naan armchair is also available as a swivel chair and is a product that suits any space, conceived for home living areas, public spaces and hospitality venues. Its intrinsic simplicity makes it a piece of furniture that matches a wealth of decor styles.
Ella
Versatile, elegant, curvy. The design of the Ella chair balances style and function. It’s contemporary, sophisticated and inviting, perfect for private and public spaces. The seat and back rest are part of a single padded chair volume, opening out to offer comfortable, snug support. The tubular steel base encircles and supports the shell, creating a casual, dynamic chair with an agile, curvy design. The stype is enhanced with subtle details like random wrinkles on the back and gros grain trim in either matching or contrasting colours. Ella is also available as a 4-spoke base swivel chair, perfect for contract decor schemes.
Regina
Soft and inviting, Regina is an upholstered armchair with oversize volumes, perfect for either the living room or bedroom. The organic design features generous, curvy shapes, while special polyurethane padding ensures unrivalled softness. The result is snuggling into a warm, reassuring, textural embrace. The discreet feet, a solid support, echo the curvy shapes of the seat.
Alunna
Emilio Nanni’s creativity and experience have come together in Alunna, the ideal companion to the Maestro table, with which it shares the inspirational and conceptual blueprint. The distinguishing trait shared by both designs is the segment, seen as a primary geometric entity and as an iconic structural element. In the Alunna chair, the contrast between the reticular structure of the base and the soft seat creates a striking marriage: pure, refined, sophisticated. The four tubular legs connect together, echoing the design of the Maestro’s legs, but adopting a less radical, less angular solution: the metal finishes highlight their delicate intertwining and set off the padded upholstered seat. The stitching detail and two-tone upholstery give Alunna an eloquent appeal, making it a desirable object for any room of the home as well as an embellishing addition to the office.
Gamma
The broken lines and the vivid colours enrich the differences between the bases, which are light and steady. The signature feature is its seat: the shape, reminiscent of the cross-section of an egg, is designed to be comfortable and cocooning, in both the rigid lacquered version and the padded version with non-removable or loose covers, available in fabric, leather and synthetic leather. The base is the variable and comes in three versions: metal pylon, solid wooden slanted legs and tubular base.
Orchestra
Merging a classic aesthetic and a contemporary approach to the use of wood, Orchestra emerges as a chair that conveys the idea of familiarity and reliability through a sophisticated and painstakingly controlled language. Philippe Tabet has cleverly produced such a refined and interesting design that Orchestra is eloquent and attractive from any angle. With their square section, the rear legs are splayed out slightly, morphing into armrests as they travel upwards, drawing a curving and beautifully tactile outline. These unbroken lines lend a clean,
cohesive look to the resulting whole. The ergonomic design of the padded seat provides comfort, wrapping round and supporting the body. Orchestra is perfect for any room of the home, from the kitchen to the study or even the bedroom, and also comes in a version without armrests, addition to the office.
Inari
Inspired by one of Kyoto’s most important sacred places, the Inari family of furniture is closely linked to the Fushimi series, sharing the same conceptual roots and main characteristics of form and style. Symmetry, lightness, a tylishness in its details and cleanliness of line make Inari a series marked by elegant, pared-back forms. The meticulous woodworking of the ash, which is milled and turned, creates an extraordinary continuity between the surfaces both to the touch and to the eye, highlighting the old-fashioned craftsmanship that has gone into its making. All edges are rounded and, with the sinuousness of its joints, there are no sharp disconnects between the base and upper structure. Both products offer plenty of scope for customization.
